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Step back in time to see what our movie palaces were presenting in January 1933, 1958, and 1983. Also included is some interesting history about other area movie theaters. Film titles are linked mostly to the Internet Movie Database.
"HAPPY
NEW YEAR!" read the Publix Theatres ad in the Jan. 1, 1933 Detroit
News. The Michigan was showing No
Man of Her Own (Clark Gable, Carole Lombard), while Edmund Lowe
starred in The
Devil is Driving at the Fisher, and Ronald Colman and Kay Francis
headlined Cynara
at the United Artists. "These special holiday shows are the brightest
message of cheer we can bring you. Treat the whole family today!"
At
the Michigan in Ann Arbor, the year got off to a quick start with Fast
Life (William Haines) and the short Their
First Mistake (Laurel and Hardy). Other attractions at the Michigan
included a live appearance by the hypnotist Chicula and Saturday night
vaudeville. Short movies at the Michigan included the Walt Disney Silly
Symphony Babes
in the Woods, the Little Rascals in Hook
and Ladder and Flip
the Frog in Phoney
Express.
Star
pairings at the Michigan included Helen Hayes and Ramon Novarro (The
Son-Daughter), Spencer Tracy and Joan Bennett (Me
and My Gal), Clark Gable and Carole Lombard (No
Man of Her Own), William Powell and Joan Blondell (Lawyer
Man), Ann Harding and Leslie Howard (The
Animal Kingdom), and Fredric March and Claudette Colbert (Tonight
is Ours).
The
Redford screen was dark for all of Jan. 1933, but big new movies still
provided lots of entertainment. On Jan. 6, The
Mummy (with "Karloff (The Uncanny)") opened at the Fox,
while Madame
Butterfly (Sylvia Sidney, Cary Grant) came to the Fisher. The
next day, A
Farewell to Arms (Helen Hayes, Gary Cooper, Adophe Menjou) opened
at the United Artists. Other big openings this month were Frank Capra's
The Bitter
Tea of General Yen (Barbara Stanwyck) at the RKO Downtown, and
Silver
Dollar (Edward G. Robinson) at the Fisher (which stopped presenting
live shows before movies).
The
Lafayette (at Lafayette and Shelby) advertised itself as "Detroit's
New Home of Foreign and Unusual Pictures" and debuted its new programming
with the German Maedchen
in Uniform (1931). The Little Cinema in Detroit continued to show
foreign language movies, including the German operetta The
Puppet (1930). In Ann Arbor, the Art Cinema League presented The
Cabinet of Dr. Caligari (1920) at the Lydia Mendelssohn Theater.
"Look
to The Giant Screen For The Finest Entertainment You'll See in 1958!"
read the Butterfield theaters ad in the Jan. 3, 1958 Ann Arbor News.
The Butterfield chain included the Michigan, whose top attraction in January
was Pal
Joey, starring Rita Hayworth, Frank Sinatra, and Kim Novak (This
musical was also part of the Michigan's 2007 Summer Classic Movie Series.).
Also
popular at the Michigan was Don't
Go Near the Water, with Glenn Ford. The month began with Legend
of the Lost (John Wayne, Sophia Loren, and Rossano Brazzi). It
ended with the Walt Disney movie Old
Yeller (Dorothy McGuire, Fess Parker), which enjoyed critical
and financial success and was "the first of innumerable Disney projects
about a boy and his dog." (The Disney Films, Leonard Maltin).
On Jan. 13, the Michigan hosted José
Greco and his company of Spanish dancers.
At
the Redford, the first week of 1958 brought the final days of a three-week
run of the 1956 blockbuster The
Ten Commandments. Patrons then enjoyed a
midwinter taste of April
Love (Pat Boone, Shirley Jones). Two future
television stars (Robert Wagner and Joan Collins) headlined Stopover
Tokyo, on a double bill with Joanne Woodward's Oscar-winning lead
performance in The
Three Faces of Eve.
Other
attractions at the Redford were Operation
Mad Ball (Jack Lemmon, Mickey
Rooney, Ernie Kovacs); The
Hunchback of Notre Dame (Gina Lollobrigida, Anthony Quinn); The
Tin Star (Henry Fonda, Anthony Perkins); The
Sad Sack (Jerry Lewis, Phyllis Kirk); and a star-studded double
feature of My
Man Godfrey (June Allyson,
David Niven) and Man
of a Thousand Faces (James
Cagney, Dorothy Malone). The Saturday children's matinee included an afternoon
of the science fiction movie Conquest
of Space (1955) and three cartoons each starring Popeye, Bugs
Bunny, and Tom & Jerry.
"Don't
look for Gallic subtlety here," wrote Detroit News movie reviewer
Al Weitschat on Jan. 19 about ...And
God Created Woman, starring Brigitte Bardot. "The idea is
to exploit sex and it's done relentlessly and obviously." This film
was the first feature at the re-named Trans-Lux Krim, which had been purchased
by Trans-Lux Theaters (Detroit News, Jan. 12, 1958).
In
Detroit theaters, Peyton
Place (Fox) and Sayonara
(Michigan) continued strong runs after opening at the end of 1957. And
ads announced that very long runs would soon end for the 1956 movies Around
the World in 80 Days (United Artists) and
the Cinerama feature Seven
Wonders of the World (Music Hall).
Redford Theatre moviegoers celebrated the New Year on Jan. 1 and 2 with A Funny Thing Happened on the Way to the Forum (1966), starring Zero Mostel and Phil Silvers. Organist John Lauter provided musical entertainment. On Jan. 14 and 15, organist Don Haller warmed the audience up for the words and music of Alan Jay Lerner and Frederick Loewe in the 1967 musical Camelot (Richard Harris, Vanessa Redgrave). On Jan. 28 and 29, James Cagney and Humphrey Bogart starred in the Warner Brothers crime classic Angels with Dirty Faces (1938). At the Barton organ was Newton Bates.
The
Detroit Film Theatre began its newest season on Jan. 14-16 with French
director Jean-Pierre Melville's thrilling Bob
le Flambeur (1956), which returned to the DFT in Feb. 2002. On
Jan. 21-23, Fitzcarraldo
tried to build an opera house in the middle of a Peruvian jungle in Werner
Herzog's tale of ego and obsession.
The
DFT ended its month with Polish director Jerzy Skolimowski's Moonlighting,
"one of the most elegant and convincingand bitterly funnymovies
ever made about the eternal lure of fascism and the universal specter
of the bully." (VideoHound's World Cinema, Elliot Wilhelm).
The Afternoon Film Theatre continued its tribute to director Tod Browning,
with Iron
Man (1931), Dracula
(1931), Freaks
(1932), and Mark
of the Vampire (1935).
The
Michigan Theatre celebrated its 55th anniversary on Jan. 5 with 50-cent
admission for "a rousing theater organ overture" followed by
the 1927 Oscar-winning silent film Wings.
Audiences enjoyed a double bill of Casablanca
(1943) and a movie that it inspiredWoody Allen's comedy Play
It Again, Sam (1972).
Other
multiple features at the Michigan were French director François Truffaut's
Stolen
Kisses (1968) and Small
Change (1976); and Clint Eastwood in A
Fistful of Dollars (1964), For
a Few Dollars More (1965), and The
Good, Bad, and the Ugly (1966). Live entertainment included the
Sixth Ann Arbor Folk Festival and an Up
with People benefit concert for the Michigan Theatre. The Michigan
Community Theatre Foundation also raised money with a Las Vegas-style
Millionaire's Party at the Ann Arbor Inn.
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