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Step back in time to see what our movie palaces were presenting in May 1931, 1956, and 1981. Also included is some interesting history about other area movie theaters and the Detroit Institute of Arts. Film titles are linked to the Internet Movie Database.
With
summer approaching, the Michigan Theater announced, "New Cooling
Plant Now in Operation - 70 Degrees Cool Always." Newspaper ads showed
the Michigan name draped in ice and proclaimed that "waves of gloriously
fresh, delightfully cool air pour over you from our perfect ventilating
system."
Among
the films at the Michigan were Strangers
May Kiss, with Norma Shearer, who a few months earlier had won
the 1929/30 Oscar for best lead actress (for The
Divorcee). In the May 11 Ann Arbor Daily News, columnist
Allison Ind wrote, "Strangers May Kiss is a most simple story,
very modern, very vivacious and quite acceptably sexy." Also showing
at the Michigan this month were Trader
Horn and The
Front Page, both later nominated for the Best Picture Academy
Award for 1930/31.
The
Redford presented two other Best Picture nominees for 1930/31East
Lynne and Skippy.
Redford audiences checked the weather report before seeing such double
bills as New
Moon and Rain
or Shine (a circus drama directed by Frank Capra), or Lightning
Flyer and June
Moon. Mixed among the Detroit News movie ads on May 7,
1931 was this announcement: "Baseball Today at 3 p.m., Detroit vs.
Chicago, Box and Reserve Seats at Navin Field."
Also
at the Redford was Charlie Chaplin's silent City
Lights, whose limited popularity threatened the future of silent
films, said Detroit News columnist Harold Heffernan on May 17,
1931: "Two leading neighborhood theaters in Detroit played the Chaplin
picture recently and with all the advance publicity the comedy had during
its long downtown run it failed to make much of a stir." A News
article on May 24 about television heralded further changes: "The
problems encountered in television can be likened to those of the first
days of talkies and, therefore, no certainty exists as to the exact requirements
needed."
New
realities also faced visitors to the Detroit Institute of Arts, where
the deepening Great Depression threatened an exhibition of contemporary
French art. But private funds and art loans saved the day. The art dated
from the 1870s and challenged DIA patrons with its new ideas. "Disliking
modern art is probably better than ignoring it," wrote Detroit
News art columnist Florence Davies about the show, which included
works by Matisse, Cézanne, Gauguin, Van Gogh, Picasso and Braque.
It's
Friday, May 11, 1956. At the Redford, doors open at 5:45 p.m. for a double
feature of Our
Miss Brooks (with Eve Arden) and Hell
on Frisco Bay (Alan Ladd and Edward G. Robinson). Our Miss
Brooks starts at 6 and 9:10 p.m. and is described in ads as "the
funniest manhunt since the first Eve put the bite on Adam's Apple."
Hell on Frisco Bay is "the blistering story of a fall guy
who was cheated by his wife," and shows at 7:25 and 10:40 p.m.
The
most popular movies at the Redford in May 1956 were the dramas Rose
Tattoo and The
Man with the Golden Arm. Italian actress Anna Magnani won a lead
actress Oscar for Rose Tattoo, which led Redford double bills that
included Alfred Hitchcock's black comedy The
Trouble with Harry and the war drama Hell's
Horizon. Frank Sinatra received his only Best Actor Academy Award
nomination for The Man with the Golden Arm, which appeared on Redford
twin bills with the western At
Gunpoint (Fred MacMurray) and the Blake Edwards musical comedy
Bring Your
Smile Along.
The
science fiction craze of the 1950s hit the Michigan Theater with "2
Science Shockers That Will Have You Gasping For Breath!": World
Without End and The
Atomic Man. But that's not all! Three weeks later, "The Top
Shock Show Of All Time" arrived at the Michigan with Day
the World Ended and The
Phantom from 10,000 Leagues. On a quieter note, the Michigan hosted
a 15th anniversary reissue of Citizen
Kane, which will be playing at the Redford on May 26 and 27, 2006.
John
Wayne visited Detroit on Friday, May 18 to promote his new movie The
Searchers, which opened that day exclusively at the Palms Theater
(Woodward and Elizabeth). Wayne told Detroit Free Press Movie Critic
Helen Bower, "The more people can know you, the better it is for
your pictures." Daily showings of The Searchers (and second
feature The
Scarlet Hour) ran from 11:12 a.m. until about 6 a.m. the next
morning.
Exhibitions
at the Detroit Institute of Arts this month included French Taste in
the 18th Century, Home Design Competition: Builders Association
of Metropolitan Detroit, and the 20th Annual Exhibition from the Detroit
Public Schools. French taste was also on display at the World and Studio
movie theaters, which hosted the first Detroit showing of the 1954 French
film The
Game of Love ("Strictly For Adults," said the ads).
The
Detroit Film Theatre ended the Winter/Spring season of its eighth year
with a season record attendance of about 80,000, noted Susan Stark of
the Detroit News. About half of those patrons attended the Sunday
night 3-D series. In Stark's story, DFT Director Elliot Wilhelm said,
"I think we gave Detroiters a good overview of what's going on at
the movies and they responded magnificently."
This last month of this DFT season included
the Hungarian Confidence
(1980), the French Poto
and Cabengo (1979) and the Italian Luna
(1979). Also playing was Image
Before My Eyes (1981), a documentary about
Jews
in Poland before the two World Wars. American film fans enjoyed Alfred
Hitchcock's 3-D Dial
M for Murder (1954) and Buster Keaton in Seven
Chances (1925) and Sherlock
Jr. (1924). The season ended on May 30 with the appropriately
titled Jazz
on a Summer's Day (1960). DFT staff and visitors then took a break
until Aug. 7, when the next season opened with Francois Truffaut's The
Last Metro (1980).
On
May 2, the Classic Film Theatre of the Michigan Theatre presented The
Wizard of Oz (1939), which returns to the Michigan on May 20,
2006. The CFT also launched a Cary Grant Festival on May 23, 1981. In
an Ann Arbor News article about this festival (and an Alfred Hitchcock
festival in June), Arts Editor Rich Quackenbush wrote, "The majestic
Michigan, of course, offers the facilities to show classic movies in the
bigger-than-life setting for which they were intended."
From
May 8 to May 10, the St. Joe's Radio-thon Auction on WAAM-AM (1600) radio
let listeners bid on "two noontime performances by a Michigan Theatre
organist or bid on two hour-long sessions at the keyboard for yourself."
A Memorial Show at the Michigan on May 29 included the movie Maytime
(1937) and musical performances by organist Newton Bates and the Livingston
County Midlakes Chorus.
Redford
audiences enjoyed two classic musicals, including Fiddler
on the Roof (1971), which was shown on May 1 and 2. Anchors
Aweigh (1945) washed ashore at the Redford on May 15 and 16. On
May 9, renowned theater organist Gaylord
Carter accompanied the dramatic silent film Sunrise
(1927). The month ended on May 29 and 30 with Alfred Hitchcock's 1938
film The
Lady Vanishes.
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